The Horatian Ode is composed of short stanzas, usually modeled on alcaic or sapphic stanza forms, and imitated from the practice of the Roman poet Horace. It differs from the Pindaric ode not only in form, but in tone, being more meditative or conversational rather than aiming at exalted poetic afflatus. In a sense, it is a variety of the homostrophic ode, but poems identified as homostrophic odes generally have stanzas at least twice as long as the typical Horatian ode, and do not aim at the indirection, restraint, and urbane tone achieved by Horace. Sometimes Horatian odes are printed as if the stanzas all ran together, but the regular appearance of (usually indented) shorter lines, often with the typical rhythms of sapphics or alcaics, indicate that the poet intended such an ode. It is, of course, radically different from the English irregular ode.

Click for examples of actual Horatian odes translated into English in the original meters by Steven J. Willett.
 

An Horatian Ode upon Cromwell's Return From Ireland

            THE forward youth that would appear
            Must now forsake his muses dear,
                  Nor in the shadows sing,
                  His numbers languishing.

            'Tis time to leave the books in dust,
            And oil the unusèd armour's rust:
                  Removing from the wall
                  The corslet of the hall.

            So restless Cromwell could not cease
            In the inglorious arts of peace,
                  But through adventurous war
                  Urgèd his active star.

            And, like the three-forked lightning, first
            Breaking the clouds where it was nursed,
                  Did thorough his own side
                  His fiery way divide.

            (For 'tis all one to courage high
            The emulous or enemy:
                  And with such to inclose
                  Is more than to oppose.)

            Then burning through the air he went,
            And palaces and temples rent:
                  And Cæsar's head at last
                  Did through his laurels blast.
.
            'Tis madness to resist or blame
            The force of angry heaven's flame:
                  And, if we would speak true,
                  Much to the man is due,

            Who from his private gardens, where
            He lived reservèd and austere,
                  As if his highest plot
                  To plant the bergamot,

            Could by industrious valour climb
            To ruin the great work of time,
                  And cast the kingdoms old
                  Into another mould.

            Though justice against fate complain,
            And plead the ancient rights in vain:
                  But those do hold or break
                  As men are strong or weak.

            Nature, that hateth emptiness,
            Allows of penetration less:
                  And therefore must make room
                  Where greater spirits come.

            What field of all the Civil Wars,
            Where his were not the deepest scars?
                  And Hampton shows what part
                  He had of wiser art,

            Where, twining subtle fears with hope,
            He wove a net of such a scope,
                  That Charles himself might chase
                  To Carisbrooke's narrow case:

            That then the royal actor born
            The tragic scaffold might adorn:
                  While round the armèd bands
                  Did clap their bloody hands.
            He nothing common did or mean
            Upon that memorable scene:
                  But with his keener eye
                  The axe's edge did try:

            Nor called the gods with vulgar spite
            To vindicate his helpless right,
                  But bowed his comely head,
                  Down, as upon a bed
.
            This was that memorable hour
            Which first assured the forcèd power.
                  So when they did design
                  The Capitol's first line,

            A bleeding head where they begun,
            Did fright the architects to run;
                  And yet in that the State
                  Foresaw its happy fate.

            And now the Irish are ashamed
            To see themselves in one year tamed:
                  So much one man can do,
                  That does both act and know.

            They can affirm his praises best,
            And have, though overcome, confessed
                  How good he is, how just,
                  And fit for highest trust:

            Nor yet grown stiffer with command,
            But still in the Republic's hand:
                  How fit he is to sway
                  That can so well obey.
            He to the Commons feet presents
            A kingdom, for his first year's rents:
                  And, what he may, forbears
                  His fame, to make it theirs:

            And has his sword and spoils ungirt,
            To lay them at the public's skirt.
                  So when the falcon high
                  Falls heavy from the sky,

            She, having killed, no more does search
            But on the next green bough to perch,
                  Where, when he first does lure,
                  The falc'ner has her sure.

            What may not then our isle presume
            While Victory his crest does plume?
                  What may not others fear
                  If thus he crowns each year?

            A Cæ.sar, he, ere long to Gaul,
            To Italy an Hannibal,
                  And to all states not free
                  Shall climactéric be.

            The Pict no shelter now whall find
            Within his parti-coloured mind,
                  But from this valour sad
                  Shrink underneath the plaid:

            Happy, if in the tufted brake
            The English hunter him mistake,
                  Nor lay his hounds in near
                  The Caledonian deer
.
            But thou, the Wars' and Fortune's son,
            March indefatigably on,
                  And for the last effect
                  Still keep thy sword erect:

            Besides the force it has to fright
            The spirits of the shady night,
                  The same arts that did gain
                  A power, must it maintain.
                                    --Andrew Marvell

Ode to Evening

            IF ought of Oaten Stop, or Pastoral Song,
            May hope, chaste EVE, to soothe thy modest ear,
                  Like thy own solemn Springs,
                  Thy Springs, and dying Gales,
            O Nymph reserv'd, while now the bright-hair'd Sun
            Sits in yon western Tent, whose cloudy Skirts,
                  With Brede ethereal wove,
                  O'erhanh his wavy Bed:
            Now Air is hush'd, save where the weak-ey'd Bat,
            With short shrill Shriek flits by on leathern Wing,
                  Or where the Beetle winds
                  His small but sullen Horn,
            As oft he rises 'midst the twilight Path,
            Against the Pilgrim born in heedless Hum:
                  Now teach me, Maid compos'd,
                  To breathe some soften'd Strain,
            Whose Numbers stealing thro' thy darkning Vale,
            May not unseemly with its Stillness suit,
                  As musing slow, I hail
                  Thy genial lov'd Return!
            For when thy folding Star arising shews
            His paly Circlet, at his warning Lamp
                  The fragrant Hours, and Elves
                  Who slept in flow'rs the day,
            And many a Nymph who wreaths her Brows with Sedge,
            And sheds the fresh'ning Dew, and lovelier still,
                  The Pensive Pleasures sweet
                  Prepare thy shadowy Car.
            Then lead, calm vot'ress, where some sheety lake
            Cheers the lone heath, or some time-hallow'd pile,
                  Or up-land fallows grey
                  Reflect its last cool gleam.
            But when chill blustring Winds, or driving Rain,
            Forbid my willing Feet, be mine the Hut,
                  That from the Mountain's Side,
                  Views Wilds, and swelling Floods,
            And Hamlets brown, and dim-discover'd Spires,
            And hears their simple Bell, and marks o'er all
                  Thy Dewy Fingers draw
                  The gradual dusky Veil.
            While Spring shall pour his Show'rs, as oft he wont,
            And bathe thy breathing Tresses, meekest Eve!
                  While Summer loves to sport,
                  Beneath thy ling'ring Light:
            While sallow Autumn fills thy Lap with Leaves,
            Or Winter yelling thro' the troublous Air,
                  Affrights thy shrinking Train,
                  And rudely rends thy Robes,
            So long, sure-found beneath the Sylvan shed,
            Shall FANCY, FRIENDSHIP, SCIENCE, rose-lip'd HEALTH,
                  Thy gentlest Influence own,
                  And Hymn thy fav'rite Name!
                                        --William Collins
 

Ode: Slowly the Black Earth Gains

            SLOWLY the black earth gains upon the yellow,
            And the caked hill-side is ribbed soft with furrows.
            Turn now again, with voice and staff, my ploughman,
                  Guiding thy oxen.

            Lift the great ploughshare, clear the stones and brambles,
            Plant it the deeper, with thy foot upon it,
            Uprooting all the flowering weeds that bring not
                  Food to thy children.

            Patience is good for man and beast, and labour
            Hardens to sorrow and the frost of winter.
            Turn then again, in the brave hope of harvest,
                  Singing to heaven.
                                        --George Santayana

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