Thomas Hardy's "The Voice" uses dactylic tetrameters, though the second and fourth lines are cut by catalexis so as to end on a stressed syllable. He also uses mosaic rhyme, which is multiple rhyme as well:

     /   *     *  |    /          *      *  |  /    *   * |  /   *   *
Woman much missed, how you call to me, call to me,
 Saying that now you are not as you were
 When you had changed from the one who was all to me,
But as at first, when our day was fair.
 

Here is another excellent example:

            Shining and lowering and swelling and dying,
            Changing forever from midnight to noon;
            Roaring like thunder, like soft music sighing,
            Shadows on shadows advancing and flying,
            Lightning-bright flashes the deep gloom defying,
            Coming as swiftly and fading as soon.
                                            --Emily Brontë